Spring Festival Evening Stage Secret - LED Screen, 3D, 3D

The year before, Chen Yan put the columnar LED screen on the stage of the Spring Festival Evening. On the New Year's Day, the New York Times published an editorial titled "Oscar to Learn Chinese Spring Festival Evening". Last year, he was not satisfied with the plane's erosion. This year, the whole stage was moved; this year, he designed the whole stage into a huge paper-cut. "Today's Spring Festival Evening, it is difficult to break through the big names on the show. Spring Festival Evening is going to enter the era of technology and art integration, 3D of the Chinese stage. The times are coming."

The use of 3D dance beauty is very different. In the Spring Festival Evening rehearsal scene, the LED large screen is set to overlap on three sides, but because the front two LED walls are provided with a 90 degree corner, it gives the illusion of five LED walls. The five LED walls are activated at the same time, and the entire stage is surrounded by the same. For example, in the national song and dance "Happy Family", there is a scene where a door is slowly opened and stretched out to look far away, while a wall shows a very three-dimensional visual effect.

"Lanting Preface" -- Figure

In addition to image projection, color usage is also a must. When Jay Chou sang the song "Lanting Preface", calligraphy and Chinese painting appeared on the big screen immediately, and the costumes of the dancers were also unique in Chinese style. Han Hong sang the warmth of "seeking you in the crowd", accompanied by the blue sky on the screen, the performance of a pair of dancers on the lifting platform blends the beauty of the soft and the blue, the blue and white clothing is also the same with the song mood and the big screen. The match is just right.

"Looking for You" - Figure

Chen Yan served as the chief designer of the opening ceremony of the Beijing Olympics. "After the Olympics, I feel more and more that I have misunderstood Chinese culture in the past. Now I have a deeper understanding of China's modern and traditional culture, and I am more inclined to Chinese aesthetics in my creation." Chen Yan said that the Olympics will be honed. Among them, he realized that he used to love and apply the Western aesthetics of beauty, especially paying attention to the manifestation of "material", such as creating a pool on the stage, getting a mountain, etc., but the participation process of the Olympics allowed him to return to the Chinese. The aesthetic view, "Chinese people live by imagination, Westerners rely on material, but spiritual imagination is greater than material imagination." So, he continued his pursuit on the Spring Festival Evening stage, he said: "We can not change The space in the first hall, but we can reasonably divide and reproduce the time and space."

Although Chen Yan is full of "technical control", he also found that technology is fun to play, and there is no cultural charm. Last spring and evening, he played a "technical card", and this year added a strong "yearly taste." In addition to the rich set of stage lighting, it can produce patterns of Chinese New Year elements such as snowflakes and lanterns. The entire stage is designed as a huge paper-cut. "When Spring Festival Evening is still in preparation, we invite many folk paper-cut artists and then put them in the The works are pieced together into this pair of large paper-cuts, highlighting the festive and auspicious Spring Festival culture.” Chen Yan said that this is the first time the Spring Festival Evening invites folk artists and young designers to participate in the dance design.

Chen Yan was the first to participate in the Spring Festival Evening, more than 20 years ago. In 1986, he just graduated from the Chinese Academy of Fine Arts and became a stage assistant in the Spring Festival Evening. "I did that thing during the Spring Festival Evening stage design of that year. Chen Peisi's sketch set needs peacock feathers. I ran to Shanghai to buy it. I’ve been moved by tears, and the people all over the country saw the feather I bought. That’s the stage state of the year, with a glass table underneath, and occasionally a few light bulbs are flashing. Of course, that was already It’s very fashionable, and there are still many places where there is no floor.”

Since 1998, he has been the chief designer of CCTV Spring Festival Evening Art, and has been doing it until now. That year, Faye Wong and Na Ying sang "Meet 98" in the Spring Festival Evening. "The dance of the song, I designed a rotating sphere behind them, which is definitely a breakthrough for the stage design at that time. 12 Years later, Faye Wong sang "Legend" in the Spring Festival Evening. Behind her is a huge planet composed of 500 stereoscopic video columns. It turned into a towering tree in a blink of an eye. This 12-year, beautiful change in the Spring Festival Evening is amazing. ."